Mobilizing Blackness: From the Haitian Revolution to Now
Submitted by heidiab on Mon, 09/16/2019 - 11:19amTwo-day symposium addressing the ways in which “Blackness” has been mobilized to make claims on state and other resources.
Two-day symposium addressing the ways in which “Blackness” has been mobilized to make claims on state and other resources.
Gone to the Village is a unique and powerful documentary, beautifully filmed, of the elaborate funerary rites for the Queen Mother of the Asante in Ghana.
This is a public symposium of the Cuir Américas Working Group | Grupo de Trabajo Feminista/Queer/Cuir to be held in Ann Arbor on September 20, 2019, to advance the publication of two scholarly journal special issues that will appear in the United States (in English) and in Brazil (in Spanish and Portuguese).
2019 Conference on African American Music for Composers, Performers, and Scholars, featuring a schedule of panels, discussions, and performances
2019 Conference on African American Music for Composers, Performers, and Scholars, featuring a schedule of panels, discussions, and performances
2019 Conference on African American Music for Composers, Performers, and Scholars, featuring a schedule of panels, discussions, and performances
2019 Conference on African American Music for Composers, Performers, and Scholars, featuring a schedule of panels, discussions, and performances
The Pride is a passionate and subversive play that examines queer identities in 1958 and 2008 in order to highlight the changing social constructions around sexuality. In the friction between eras, the play ignites questions about our constructed public persona and the true self we are trying to hide.
The Pride is a passionate and subversive play that examines queer identities in 1958 and 2008 in order to highlight the changing social constructions around sexuality. In the friction between eras, the play ignites questions about our constructed public persona and the true self we are trying to hide.
The Pride is a passionate and subversive play that examines queer identities in 1958 and 2008 in order to highlight the changing social constructions around sexuality. In the friction between eras, the play ignites questions about our constructed public persona and the true self we are trying to hide.