cosponsored event

Scholar, poet and playwright Dr. Carolyn Dunn will lecture on the aesthetics of Native and Indigenous Theater.

Performance by artist/writer/performer/musician Juliana Huxtable, exploring the intersections of race, gender, queerness, technology, and identity.

Performance by Suzi Analogue at the Resonance annual sysymposium that celebrates women and non-binary artists in music technology hosted by the Department of Performing Arts Technology. 

Reyna Ortiz will share her knowledge and experiences as a Latinx trans woman, activist, and educator who works to empower Trans and gender non-conforming people in her community. 

CMENAS Teach-in Town Hall with Anna Baltzer of the U.S. Campaign for Palestinian Rights, and Huwaida Arraf, Civil Rights Attorney and Co-founder of the International Solidarity Movement, and a U-M alumna. 

Keynote speaker for National Coming Out Week 2018 and LGBTQ History Month 2018

We Are Dancing For You: Native Feminisms and the Revitalization of Women's Coming-of-Age Ceremonies considers how revitalization of women's coming-of-age ceremonies challenges anthropological theories about menstruation, gender, and coming-of-age and addresses gender inequality and gender violence within Native communities.

Keywords for Latina/o Studies (New York University Press, 2017) is a transformative volume that includes 63 short keyword essays by 65 leading Latina/o studies scholars. The book attempts to synthesize and reflect on the state of the field and includes provocative articles on a wide range of topics such as Afro-Latinas/os, Chicana/o/@/x, Feminism, Gender, Latinidad, Performance, Race, Raza, Spirituality, and Sterilization. Please join us for this panel discussion with volume coeditor Lawrence La Fountain-Stokes (U-M) and contributors Sheila Contreras (MSU), María E.

This day-long symposium will highlight women data science researchers at U-M, provide resources and support for women pursuing careers in data science, a poster session, lunch time round table discussions, a faculty panel, and ample time for networking.

Exhibit of large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.