cosponsored event

The Ellen Rowe Octet performs a concert for the Feminist Theory & Music conference; this concert is also free and open to the public.

Nancy Yunhwa Rao presents this keynote address for the Feminist Theory & Music conference; the lecture is also free and open to the public.

This year's summer institute will explore the intersection of research, practice and advocacy in uniting for mental health equity, in local and global contexts. 

This year's summer institute will explore the intersection of research, practice and advocacy in uniting for mental health equity, in local and global contexts. 

The DISCO Summit is a two-day interdisciplinary summer symposium about digital social inequalities in celebration of the third year of the DISCO Network. The DISCO Summit will include nine panel conversations about the past, present, and future of the intersection between digital technology, culture, race, disability, gender, sexuality, and liberation.

The DISCO Summit is a two-day interdisciplinary summer symposium about digital social inequalities in celebration of the third year of the DISCO Network. The DISCO Summit will include nine panel conversations about the past, present, and future of the intersection between digital technology, culture, race, disability, gender, sexuality, and liberation.

The study of music from the perspective of feminist theory raises significant questions that transcend the methodologies of any one subdiscipline of music. Feminist Theory and Music (FT&M) has met biennially since 1991 to provide an international, transdisciplinary forum for scholarly thought about music in relation to gender and sexuality, as well as for performances that present such thought in sound and embodied action.

The study of music from the perspective of feminist theory raises significant questions that transcend the methodologies of any one subdiscipline of music. Feminist Theory and Music (FT&M) has met biennially since 1991 to provide an international, transdisciplinary forum for scholarly thought about music in relation to gender and sexuality, as well as for performances that present such thought in sound and embodied action.

The study of music from the perspective of feminist theory raises significant questions that transcend the methodologies of any one subdiscipline of music. Feminist Theory and Music (FT&M) has met biennially since 1991 to provide an international, transdisciplinary forum for scholarly thought about music in relation to gender and sexuality, as well as for performances that present such thought in sound and embodied action.

Author and Russian independent journalist, Elena Kostyuchenko, discusses her work on reporting armed conflicts, crime, human rights, and social issues.