This interactive performance investigates female-coded personae of robots, code-based work of mechanical turks, the invention of the “self-cleaning house” and Silicon Valley’s motto to “move fast and break things."
In this workshop, lead by artist Sarah Buckius, we will use Patents by Women (from the late 1800s to 1940) as starting points to investigate creativity strategies that range from improvisation to blue-sky-brainstorming to problem solving.
Join us in the Lane Hall Exhibit Space to celebrate Sarah Buckius’ innovative exhibition !!!techn010ffspring!!!
The Association for Slavic, East European, and Eurasian Studies featured a story about the fall exhibit, “I have a crisis for you”: Women Artists of Ukraine Respond to War.
Reception and roundtable conversation with participating artists from the winter exhibit Portraits of Feminism in Japan.
Spotlighting the history of Japanese studies at the University of Michigan, Lane Hall will have a new exhibit titled Portraits of Feminism in Japan, with portraits of eight feminists who have shaped the landscape of women's and gender rights in Japan and beyond.
Inviting nominations for an exhibit to be hosted in the Lane Hall Exhibit Space from January–July 2023.
The streets of New York City were filled with hundreds of cafeterias, self-service eating establishments, during the early to mid-20th Century. Marcia Bricker Halperin documented Dubrow’s and other cafeterias in their waning days, drawn to the memorable faces and the liveliness and sorrow of urban life in that vanished world.
Anonymous Autonomous is a robotic art installation being developed by Katherine Behar, Artist in Residence at the University of Michigan, together with a team of U-M students. As the Fall 2019 semester draws to a close, we invite the U-M community to meet the team and see the work in progress with live demos of the robots and experimentation in the Duderstadt Center Gallery.
The streets of New York City were filled with hundreds of cafeterias, self-service eating establishments, during the early to mid-20th Century. Marcia Bricker Halperin documented Dubrow’s and other cafeterias in their waning days, drawn to the memorable faces and the liveliness and sorrow of urban life in that vanished world.