"I have a crisis for you": Women Artists of Ukraine Respond to War
Submitted by heidiab on Fri, 06/10/2022 - 11:46amThe Lane Hall exhibit space hosts an exhibition of art by Ukrainian women artists responding to war.
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Invisible Women: Portraits of Aging in Ukraine
Submitted by heidiab on Wed, 04/27/2022 - 1:41pmSummer exhibit in Lane Hall showcases photographs and watercolor paintings of Ukraine’s older generation of women. On view through August 18, 2022.
Call for Nominations: Nominate an Exhibit or Artist for the Lane Hall Exhibit Space for Winter 2023
Submitted by hstuhlma on Wed, 03/30/2022 - 12:23pmInviting nominations for an exhibit to be hosted in the Lane Hall Exhibit Space from January–July 2023.
Updates from IRWG-Mcubed Research Incentive Grants
Submitted by heidiab on Fri, 08/28/2020 - 2:39pmSummer updates from faculty cubes awarded additional funding to incorporate gender into research projects
"Anonymous Autonomous" Work in Progress Community Demo
Submitted by heidiab on Fri, 11/22/2019 - 12:01pmAnonymous Autonomous is a robotic art installation being developed by Katherine Behar, Artist in Residence at the University of Michigan, together with a team of U-M students. As the Fall 2019 semester draws to a close, we invite the U-M community to meet the team and see the work in progress with live demos of the robots and experimentation in the Duderstadt Center Gallery.
Feminist Futures: Art, Design & Activism Series Kick-off Party + Participatory Performance & Reading
Submitted by heidiab on Mon, 09/30/2019 - 2:08pmJoin us for the official kick-off party for the Feminist Futures: Art, Design & Activism Event Series. The afternoon will include participatory readings of texts and poetry on feminism, queerness and gender written by Gloria Anzaldúa, Zach Blas, Lucy Lippard, Audre Lorde, Fred Moten, and Wu Tsang.
Abstraction, Color, and Politics in the Early 1970s
Submitted by heidiab on Thu, 09/13/2018 - 7:46amExhibit of large-scale work by four leading American artists—Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.