Nooshin Hakim Javadi

My work exists at the periphery of art and social justice, where I study the material and political histories shaped by extraction—of oil, land, and labor. I’m interested in how these extractive systems define the way we live, and how acts of repair can open other ways of being in relation to the earth. Craft, for me, is not just a technique but a slow and deliberate form of thinking—an approach that resists the speed and violence of extraction. Through sculpture, sound, and collaborative processes where I work with communities to explore how we might rebuild our relationship to matter, care, and time together.